Search results for " almereyda"

showing 3 items of 3 documents

Miguel Almereyda and Jean Vigo, birth of the anarchist critique of cinema

2013

International audience

Miguel AlmereydabirthJean Vigoanarchistcritiquecinema[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUS
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Crítica Práctica de la Literatura Inglesa: Actividad formativa sobre Hamlet de Michael Almereyda (35334)

2016

Modelo de actividad formativa y evaluable para la asignatura Crítica Práctica de la Literatura Inglesa del Grado de Estudios Ingleses.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAShamlet almereyda posmodernismo adapatción cinematográfica
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“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)

2018

The paper focuses on Michael Almereyda’s Cymbeline (2014), a modernized re-telling of Shakespeare’s play in which the Briton motorcycle gang, led by drug kingpin Cymbeline, comes into conflict with the Rome police force, led by Caius Lucius. In the film, which has been defined as “Shakespeare in the Instagram age,” sustained attention to media practices and technologies competes with the incorporation of textual material. In particular, the film displays a conflict between old media, including Shakespearean textual inscriptions (e.g. the “Fear No More” woodcut that Posthumus makes and sends to Imogen as a gift), and new media technologies, pervasively associated with perverse visualization …

adaptation Almereyda Michael compagnonnage masculin Cymbeline « Fear no more » nouvelles technologies politique du genre Shakespeare et les médias sociauxSettore L-LIN/10 - Letteratura Ingleseadaptation Almereyda Michael Cymbeline “Fear no more ” gender politics male bonding new media technologies Shakespeare and social media
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